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The Tony Bennett Effect
The Tony Bennett Effect
By Jeanette Leardi
The following blog post appeared in www.changingaging.org
I’ll gladly confess it: I am a huge fan of Tony Bennett. Not just
because he’s a phenomenal vocalist (even Frank Sinatra called him “the best
singer in the business”) or because he and I come from the same New York City
neighborhood of Astoria, Queens. The truth is, I love his style in so many ways
beyond the musical. To state it plainly: How he has chosen to live exemplifies
three basic realities of the older adult experience: adaptability,
resourcefulness, and generativity.
Bennett rocketed to pop superstar fame in the 1950s, but it didn’t last
long. The rise of rock music in the ’60s left him struggling for gigs and
record deals, despite the fact that younger artists and groups such as Elvis
Pressley, The Four Seasons, and The Beatles were including in their albums
standards from The Great American Songbook.
A change came in the late ’80s, when the renditions of twentysomething
Harry Connick Jr. served as background music to the popular movie When Harry
Met Sally. Suddenly there seemed to be a newfound appreciation for tunes by
Cole Porter, Irving Berlin, and George and Ira Gershwin. Coincidentally, that’s
also when Bennett realized that he could adapt to the changing times and, more
importantly, that he wanted to. And that’s when his resourcefulness
kicked in. He knew very well what his talents were and how they could be more
widely shared, given a new audience. So beginning in the 1990s, he started appearing
on MTV and newly “hip” late-night talk shows. And the hit albums and public
Yet for Bennett, then in his 60s, it wasn’t enough to make a comeback.
He saw the value in finding an enduring way to share his passion for great
American music by creating a legacy that could serve future musicians –– a
later-years impulse that developmental psychologist Erik Erikson called
“generativity.” He began to record a series of Duets albums,
collaborating with iconic Gen X and Millennial singers such as Lady Gaga, John
Mayer, Amy Winehouse, Michael Bublé, and Queen Latifah, as well as with Latinx
performers such as Maria Gadú and Vicentico. In 2001, he founded the Frank Sinatra School of the Arts
public high school, in his beloved old neighborhood. These acts of consummate
humanity and generosity boosted his public appreciation even higher, and in
2017 at age 91 he was awarded the Library of Congress Gershwin Prize for
Popular Song, the first non-songwriter to win the honor.
Adaptability, resourcefulness, and generativity are personality traits
available to us at any age, but most especially in our later years, depending
on how much wisdom we glean from our cumulative experiences and how much
psychological effort we invest in being more self-aware and
How can each of us better hone and apply these traits in our lives as we
age? And what benefits might we reap when we do? In Tony Bennett’s case, he
acquired a new relevance in the music world, stretched himself as a performer
as he collaborated with younger vocal stylists, and broadened the appeal of The
Great American Songbook for generations to come.
Not a bad deal for a guy from Astoria, Queens. And not a bad role model
for us older adults, either.
by permission: © Jeanette Leardi www.jeanetteleardi.com
Leardi is a Portland, Oregon, writer, editor, and community educator who has a
passion for older adult empowerment and finds special personal fulfillment
helping Boomers and older generations identify and share their wisdom with
others. For more of her articles, visit changingaging.org/author/jleardi. Request a Makeup Confirmation